30 May 2011
The Past Is Prologue
A reminder for my show opening up this friday. Head over to Robert Lange Studios by clicking here to see the images. All paintings will be posted on my website this Wednesday.
Here's a painting from a series of statues that will be in the show.
The Past Is Prologue, 24" x 15", oil on panel
24 May 2011
Solo Show
11 May 2011
Process
Here's a process breakdown of a painting for my upcoming show at Robert Lange Studios in Charleston,SC.
Opening night is June 3rd. Still working on getting the last few pieces completed.
- Quick vine charcoal sketch:
- I pour out shellac over the sketch and smooth it around with a business card or squeegee. It doesn't need to be one perfect layer. The varied drying times in different sections of shellac adds a varied layer of texture and opacity. This stage mimics the traditional layer of glaze one might use with oils without the drying time. The shellac is dry in 10 minutes or less. It also blurs and smudges the charcoal drawing underneath in a spontaneous manner. That sense of spontaneity is exciting and the results can't be totally controlled. I like that.
- Then the oil painting caps off the piece. As with any of my works there are multiple layers of paint built up. That furthering layering of paint also has its own narrative in addition to the subject matter. Sort of a bad photo with this last stage.
As Yet Untitled , Oil, Illustration Board mounted on panel, 15"x10"
I do read the comments when they are left on the blog. I apologize if I haven't thanked those of you for dropping in recently. I always like to hear how others react to my work. So a massive thank you to those who left a message.
Opening night is June 3rd. Still working on getting the last few pieces completed.
- Quick vine charcoal sketch:
- I pour out shellac over the sketch and smooth it around with a business card or squeegee. It doesn't need to be one perfect layer. The varied drying times in different sections of shellac adds a varied layer of texture and opacity. This stage mimics the traditional layer of glaze one might use with oils without the drying time. The shellac is dry in 10 minutes or less. It also blurs and smudges the charcoal drawing underneath in a spontaneous manner. That sense of spontaneity is exciting and the results can't be totally controlled. I like that.
- Then the oil painting caps off the piece. As with any of my works there are multiple layers of paint built up. That furthering layering of paint also has its own narrative in addition to the subject matter. Sort of a bad photo with this last stage.
As Yet Untitled , Oil, Illustration Board mounted on panel, 15"x10"
I do read the comments when they are left on the blog. I apologize if I haven't thanked those of you for dropping in recently. I always like to hear how others react to my work. So a massive thank you to those who left a message.
02 May 2011
Docs and Pods
If you are like me and need something to listen to in the studio as background noise, while working on your painting, these couple of links could provide just the tonic.
A slew of art documentaries covering all genres and time periods in art history. I'd recommend anything by Simon Schama and also The Art Of The Steal, which is getting press lately as events continue to unfold. You'll know what I mean when you watch the doc. Many more in the list to pique your interest I'm sure. New favorite site.
Streaming Online Art Documentaries
I'm also very interested in hearing about the narrative of an artists life but get bored with critics or writers telling these stories. I want to hear from the artists and get it right from the horses mouth, so to speak. Often these artists were doing representational work in the height of modernism in the 50's and 60's and experienced real rejection by the art world. The Newington-Cropsey Cultural Studies Center was established in 1990 by The Newington-Cropsey Foundation as an interdisciplinary educational resource for art and ideas. It put out this series of podcasts, following the link below.
NCCSC Podcasts
(Be aware that not all podcasts listed after the jump are available in iTunes. So, right click and highlight 'download linked file' to your listen on your CPU or just click the 'listen' link and you will be directed to an online player. Mac users use the option button.)
Although a podcast hasn't been done for a year, there are a nice collection of hour long (roughly) conversations with artists. A few highlights would be Milton Glaser, Burt Silverman and William Bailey who is the Kingman Brewster Professor Emeritus of Art at Yale. Certainly a few luminaries in the representational world of art. Quite frankly I didn't know much about some of these artists but I guess you can never know everything, unless you are Donald Trump.
If you want to hear a 45 minute discussion from the living master that is Antonio Lopez Garcia head over to The American Video Painting Magazine. It may cost a few bucks, $10 exactly, but you get his interview and another hour or so of painting content.
AVPM Downloads
I'll leave you with a new painting for my upcoming June Show at Robert Lange Studios.
Dusk's Gold Filigree, 36"x18", oil on panel.
A slew of art documentaries covering all genres and time periods in art history. I'd recommend anything by Simon Schama and also The Art Of The Steal, which is getting press lately as events continue to unfold. You'll know what I mean when you watch the doc. Many more in the list to pique your interest I'm sure. New favorite site.
Streaming Online Art Documentaries
I'm also very interested in hearing about the narrative of an artists life but get bored with critics or writers telling these stories. I want to hear from the artists and get it right from the horses mouth, so to speak. Often these artists were doing representational work in the height of modernism in the 50's and 60's and experienced real rejection by the art world. The Newington-Cropsey Cultural Studies Center was established in 1990 by The Newington-Cropsey Foundation as an interdisciplinary educational resource for art and ideas. It put out this series of podcasts, following the link below.
NCCSC Podcasts
(Be aware that not all podcasts listed after the jump are available in iTunes. So, right click and highlight 'download linked file' to your listen on your CPU or just click the 'listen' link and you will be directed to an online player. Mac users use the option button.)
Although a podcast hasn't been done for a year, there are a nice collection of hour long (roughly) conversations with artists. A few highlights would be Milton Glaser, Burt Silverman and William Bailey who is the Kingman Brewster Professor Emeritus of Art at Yale. Certainly a few luminaries in the representational world of art. Quite frankly I didn't know much about some of these artists but I guess you can never know everything, unless you are Donald Trump.
If you want to hear a 45 minute discussion from the living master that is Antonio Lopez Garcia head over to The American Video Painting Magazine. It may cost a few bucks, $10 exactly, but you get his interview and another hour or so of painting content.
AVPM Downloads
I'll leave you with a new painting for my upcoming June Show at Robert Lange Studios.
Dusk's Gold Filigree, 36"x18", oil on panel.
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